Think of this as your FULL FRONTAL FASHION cliff notes.

Our pick this week in Who_What_Where: Molly, who’s street style is painfully sweet.

Tim Burton and Tim Walker team up and give you exactly what you think they would: eerie, beautiful fantasy photos.

Lynn Yaeger becomes the ultimate party hopper in a tutu.  But when she comes face to face with Madonna cat gets her tongue.

In Paris, it’s all about Brigitte Bardot.

FULL FRONTAL FASHION goes to the market in this new series of posts.

Paul Reubens, he of public masturbatory fame, is reviving the character that made him world famous: Pee-wee Herman. Herman started out as a crude stand-up act and then became a popular children’s TV show and a feature film directed by Tim Burton. Beginning in November, Pee-wee will be performing live at the Fonda Theater in Hollywood. And yes, Chairry, Pterri the pterodactyl and Miss Yvonne will be present. Maybe a trip to LA is in order?

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This November MoMA will house a major retrospective of Tim Burton’s work. The show, Tim Burton, will showcase his career as a  ”director, producer, writer, and concept artist for live-action and animated films, along with his work as a fiction writer, photographer and illustrator.” It will feature his drawings from early childhood through his most current work, Alice in Wonderland.

Tim Burton runs from November 22, 2009-April 26, 2010 at New York City’s Museum of Modern Art.

As artists continue to draw inspiration from childhood fears and fairy tales, it comes as no surprise that classic stories like Lewis Carroll’s Alice’s Adventures in Wonderland (more commonly known as Alice in Wonderland) are being tapped. Coming up on the 2010 film lineup is Tim Burton’s much anticipated ALICE IN WONDERLAND with Johnny Depp as the Mad Hatter (who else?), Helena Bonham Carter as the Red Queen, and Anne Hathaway as the White Queen. But Burton is hardly the first to put a unique spin on Carroll’s tale. With the first official photographs of WONDERLAND released last week, photographer-extraordinaire Annie Leibovitz’s editorial for Vogue US December 2003 have “resurfaced,” thanks to the efforts of bloggers everywhere.

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