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THE INVENTION OF LYING

October 6th, 2009 by Perrin Drumm

In Mark’s (Ricky Gervais) world, people are genetically incapable of lying, and since no one lies, no one is suspicious or questions anything. If you told these people you were freezing when you just meant you were cold they would take you literally. Same thing goes for Santa and the Tooth Fairy. Basically everyone operates on the intellectual and emotional level of a five-year-old.

I’m not saying this is an uninteresting premise, or that it doesn’t have the potential to point out something about the quality of  that which makes us human, but it’s handled in such a repetitive way that after about 30 minutes the schtick has worn itself thin. For some reason the inability to lie goes hand in hand with being materialistic, self-centered and devoid of complex emotion. Anna (played by a wooden Jennifer Garner) says over and over (literally) that she’s not interested in Mark because he’s clearly her genetic inferior and her main goal in life is to have beautiful children, not the fat, snub-nosed offspring he would certainly produce. His response is to invent the concept of lying so he can “get all the money” so he can buy a mansion to impress her.

Despite the premise being too small to fill a whole movie, there are some great moments, like the fact that fiction and acting do not exist. The films in Mark’s world consist of Masterpiece Theatre-style retellings of historical events (i.e. a man in a chair recounting the events of The Crimean War without theatrical interpretation). The movie is also chock-full of cameos from actors Jason Bateman, Tina Fey, Martin Starr, Christopher Guest, Edward Norton, and Stephen Merchant which helps to keep things moving.



funny-people

How many ways can men bond? They can bond over the effort of getting their friend laid (40 YEAR-OLD VIRGIN), or they can alternatively support and ridicule their friend as he struggles to do the right thing (KNOCKED UP), or they can fetch them diet cokes, cup their balls, and sit at their bedside while they fall asleep as in FUNNY PEOPLE. It’s been out for awhile now and I wasn’t compelled to see it until it was 90 degrees out yesterday and I sought the respite only an air-conditioned movie theater can provide, but I’m kind of glad I did. It stars Adam Sandler as George Simmons, an Adam Sandler-like comedian: middle-aged, ex-stand up comic earning an ample income making pandering comedies, and Seth Rogen as Ira, a struggling comic hired to be Simmons’ assistant. The pair develop that love/hate bro-relationship Apatow does so well, at one moment patting each other on the back and the next making fun of each other’s penis size.


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