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Comprised of Scott Kirkland and Ken Jordan, THE CRYSTAL METHOD is one of the best-selling electronica bands in the United States. They’ve come a long way since their debut album, Vegas (’97), which went platinum…a feat that most electronic bands can only dream of. Having earned their reputation for creating explosive live sets throughout the 90’s, the duo has gone beyond studio mixing and DJ-ing to scoring film, television, and video games. During a hiatus following the release of Community Service II (’05), Kirkland and Jordan took a break from live performance and focused on other projects like their first original motion picture soundtrack for LONDON, Nike’s Drive: Nike + Original Run, and the deluxe edition of Vegas which contained various remixes.

Divided By Night is their latest album and is their “re-introduction” into performing live sets once again. Recently seeing them in concert, Lara Marsman of BILLBOARD.COM said that they “still perform as they did fifteen years ago, even after a five-year hiatus, demonstrating why they are the original gangsters of electronic music.”

Read more about The Crystal Method and view the exclusive behind-the-scenes video!


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The YouTube user Fagottron is a hugely talented musician and video editor who’s been putting out amazing rhythmic edits of classic-film footage and putting a dance beat underneath them. His latest is the one below, based on the original CHARLIE AND THE CHOCOLATE FACTORY. It’s not quite as good as the incredible MARY POPPINS edit he did in May, but it’s still pretty excellent:

[via Andrew Sullivan]




Wait for Me – Moby’s new album to be released Tuesday, June 30th

Check out these cool “video blips” from Moby’s new album, Wait for Me:

‘Jltf 1′ Blip from Moby on Vimeo.


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While listening to filmmaker David Lynch speak at the BAFTA Awards in February 2008, Moby had an epiphany. Lynch’s message – creativity for its own sake is a beautiful, wonderful thing – was a simple one, but it hit Moby with the force of the Zen master’s cane. “At that moment, I decided to just make records that were more personal,” says Moby, “maybe more experimental, and a little more challenging, maybe not as easy to like, but things that I found to be artistically and creatively more satisfying. That was the idea behind making the new album.”

The album resulting from this epiphany, Wait For Me (to be released on June 30, 2009 via Mute), is a radical departure from Moby’s recent albums and the video for the album’s debut track, a moody and contemplative instrumental called “Shot In The Back Of The Head,” is a beautiful dark animation directed by David Lynch. Watch below!

Check Out More on Moby and David Lynch:

David Lynch on Digital Shorts

Moby’s Official Site

Mute Records




Moby

Moby recently introduced a select group of fans in New York to his new album Wait for Me with a listening party at the Hayden Planetarium. Nestling back in our stadium seating we literally spent the next hour plus staring into space, mesmerized by the deftly choreographed interstellar flybys as they ebbed and flowed with the lush and often cinematic soundscapes peppering this eclectic album.

While Wait For Me is rich with the sweeping, emotionally expansive music Moby has become known for, it also spreads its wings wide into territory that even bears the influence of Moby’s punk days, albeit in odd ways. “Mistake” is an homage to the emotional post-punk of Joy Division and Echo & the Bunnymen, while the title track’s depiction of quiet despair was inspired by Black Flag’s Damaged album.

Sonically, though, Wait For Me takes inspiration from a kinder, gentler era long before punk, even before the dawn of rock ’n’ roll. “I wanted to make a record that was beautiful and warm and open and inviting, and also a little more idiosyncratic and personal,” Moby says. “The way it’s recorded and mixed, it’s not supposed to be bombastic. A lot of my issues with modern records is they, from start to finish, are just in your face, they’re loud and brash and demanding. Sometimes that can be great, but when every instrument is mixed as loud as it can go and when vocals are constantly in your face and everything’s bright and there’s no subtlety, I don’t want to invite records like that into my house. They sound great when you’re in a rental car listening to Top 40 radio, but the records that I find myself more drawn to are very minimally recorded old blues records, records that are quite austere and simple. So I did want this record to have that austere quality.”

While the planetarium shindig was a one-time thing, we highly recommend you stage your own listening party by picking up the record, kicking back somewhere comfortable, snapping on some headphones and listening, start to finish, while staring at the sky. You’ll thank us as you wander through that space between the lush and the austere that Moby’s Wait For Me calls home.

As a ramp-up to the album’s release date of June 30th we’ll be highlighting various Moby-related features on SUNfiltered including an exclusive remix, videos and interviews, so keep checking back all week for more.  Today we’re excited to present a SUNfiltered exclusive, Davide Rossi’s remix of one of the upcoming tracks from Wait for Me entitled “Pale Horses.” A longtime collaborator with Goldfrapp and The Verve, Rossi’s potent string arrangements were also prominently featured on Coldplay’s Viva La Vida album on tracks like “Violet Hill” and the Grammys’ 2009 song of the year “Viva La Vida.” Listen to the track now:

Davide Rossi is a violinist, a string arranger, a music producer and a composer. He studied at the Conservatorio ‘G. Verdi’ di Milano, where he received his diploma in his early twenties.

Check Out More:

Moby Official Site

Mute Records

Davide Rossi

Hayden Planetarium



Aussie “Pogo” is creating a bit of buzz on the Internet with his electronica music video remixes of old classic Disney songs. I’m absolutely loving his most recent effort, “Expialidocious” from MARY POPPINS. Be sure to check out his other remixes at his YouTube page.



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