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	<title>Sundance Channel</title>
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	<description>Fresh culture daily.</description>
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		<title>ASIA EXTREME: Scary Cell Phones, Computers, Trees, Apartments, etc.</title>
		<link>http://www.sundancechannel.com/sunfiltered/2009/10/asia-extreme-scary-cell-phones-computers-trees-apartments-etc/</link>
		<comments>http://www.sundancechannel.com/sunfiltered/2009/10/asia-extreme-scary-cell-phones-computers-trees-apartments-etc/#comments</comments>
		<pubDate>Mon, 05 Oct 2009 16:24:10 +0000</pubDate>
		<dc:creator>Andrew Grant</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Acacia]]></category>
		<category><![CDATA[Dark Water]]></category>
		<category><![CDATA[Hideo Nakata]]></category>
		<category><![CDATA[J-Horror]]></category>
		<category><![CDATA[K-Horror]]></category>
		<category><![CDATA[One Missed Call]]></category>
		<category><![CDATA[Phone]]></category>
		<category><![CDATA[Ring]]></category>
		<category><![CDATA[Takashi Miike]]></category>
		<category><![CDATA[Unborn but Forgotten]]></category>

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		<description><![CDATA[<p style="text-align: center;"><img class="aligncenter" src="/UPLOADS/films/320x240/a/acacia_1.jpg" alt="" width="320" height="240" /></p>

Of the many popular genres in contemporary Asian cinema, none has experienced the kind of growth and success like horror, and over the last decade or so it’s grown into an impressive phenomenon that has racked up dedicated and loyal followers worldwide. Yet even outside of the fanboy crowd, the Japanese horror film, or J-Horror (and its Korean equivalent K-Horror), has become the subject of serious critical study, and multiple volumes have been written on the subject.]]></description>
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		<title>ASIA EXTREME: Hollywood Looks East</title>
		<link>http://www.sundancechannel.com/sunfiltered/2009/08/hollywood-looks-east/</link>
		<comments>http://www.sundancechannel.com/sunfiltered/2009/08/hollywood-looks-east/#comments</comments>
		<pubDate>Fri, 21 Aug 2009 19:06:34 +0000</pubDate>
		<dc:creator>Andrew Grant</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[A Tale of Two Sisters]]></category>
		<category><![CDATA[Dark Water]]></category>
		<category><![CDATA[Hideo Nakata]]></category>
		<category><![CDATA[Infernal Affairs]]></category>
		<category><![CDATA[Lady Vengeance]]></category>
		<category><![CDATA[My Sassy Girl]]></category>
		<category><![CDATA[Oldboy]]></category>
		<category><![CDATA[One Missed Call]]></category>
		<category><![CDATA[Pulse]]></category>
		<category><![CDATA[remakes]]></category>
		<category><![CDATA[Ringu]]></category>
		<category><![CDATA[The Eye]]></category>
		<category><![CDATA[The Grudge]]></category>
		<category><![CDATA[The Ring]]></category>

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		<description><![CDATA[<img src="http://media.sundancechannel.com/UPLOADS/blog/wordpress/images/2009/08/twosisterspic1.jpg" alt="twosisterspic1" title="twosisterspic1" width="500" height="333" class="aligncenter size-full wp-image-23688" />

It doesn’t take much more than a precursory glance at Hollywood’s output in recent years to conclude that there’s without question a shortage of original ideas. Reboots of old franchises (STAR TREK), endless, pointless sequels (THE SISTERHOOD OF THE TRAVELING PANTS 2), and even toy and board game-based movies (GI-JOE, MONOPOLY) are being green-lit by studios more than willing to dump millions into their productions. But by far the most egregious offense is the ever-increasing trend of remakes, particularly of films from Asia. To look at the situation, you’d think there wasn’t a single original screenplay to be found in all of the US.]]></description>
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