When the townspeople of a rural village in Northern Germany cannot find the culprit responsible for the fall that injured their doctor and killed his horse, they let it go. And when a farmer’s wife is killed in a seemingly work-related accident, they again look the other way. But once the Baron’s son is found beaten and hung upside down and the midwife’s son has been dragged into the forest to have his eyes gauged out, people start to talk. When this last victim is discovered he has a note pinned to his chest that recounts the Old Testament adage, “For the sins of the father, you, though guiltless, must suffer.” Is it God punishing this staunch, repressed Protestant town, or is there someone amongst them who is to blame?
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THE WHITE RIBBON
Categories: Film
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Cannes loves Campion

Photo: Cannes Film Festival Official Site
Australian director Jane Campion is back in the spotlight at the 62nd Annual Cannes Film Festival where her new film, BRIGHT STAR, premiered Friday. The film centers on the last two years of poet John Keats’s short life (he died of tuberculosis at the age of 25) as seen through the eyes of his young neighbor and object of his affection, Fanny Brawne.
Campion won the Palme d’Or at Cannes in 1986 for her first short film, PEEL – and again in 1993 for her feature film THE PIANO – becoming the first (and only) woman to win the top prize for a feature at the Festival.
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Categories: Culture
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Don’t See TYSON or He’ll Get in Trouble
Director James Toback introduces Mike Tyson at a dinner for the documentary, “Tyson,” at the Sundance Film Festival.
Clearly moved by the growing interest in the docu since its Cannes preem, Tyson addressed the diners: “I’m really very humbled. I had no idea it’d get to this magnitude. I was looking forward to selling bootleg DVDs… I told James it might be a foreign movie because of the language I’d be using.”
Categories: Film, Sundance Film Festival
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