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		<title>Bauhaus at MoMA</title>
		<link>http://www.sundancechannel.com/sunfiltered/2009/11/bauhaus-at-moma/</link>
		<comments>http://www.sundancechannel.com/sunfiltered/2009/11/bauhaus-at-moma/#comments</comments>
		<pubDate>Thu, 12 Nov 2009 22:05:53 +0000</pubDate>
		<dc:creator>Perrin Drumm</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Albers]]></category>
		<category><![CDATA[Bauhuas]]></category>
		<category><![CDATA[Breuer]]></category>
		<category><![CDATA[Hannes Meyer]]></category>
		<category><![CDATA[Kandisnky]]></category>
		<category><![CDATA[moma]]></category>
		<category><![CDATA[Paul Klee]]></category>
		<category><![CDATA[Walter Gropius]]></category>

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A lot of things separate Bauhaus from other art movements. It's the only one (that I can think of anyhow) that values control, precision and rigor as necessary qualities in both the art and its maker, perhaps because it began as an actual, physical institution. But it's also one of the few movements that changed so quickly in so short a time. In 1919 the students' projects were less about function and more about form: paintings by artists (and professors) like Paul Klee and Wassily Kandinsky, textiles woven into patterns reminiscent of Native American blankets and pottery crafted by artisans that did not conform to 90 degree angles. These works served no other purpose than to be hung on a wall or put on a shelf to be looked at.]]></description>
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