sundance

Spotlight on Meryl Streep

Sundance Channel Spotlight on Meryl Streep, Thursday starting at 8PM

Meryl Streep is one of the busiest working actresses today, starring in 3 films in the last year alone: IT’S COMPLICATED, FANTASTIC MR. FOX and JULIE & JULIA, for which her performance as the much beloved Julia Child has earned her yet another Oscar nomination. In fact, Streep has been nominated for an Academy Award nearly every year since her very first nomination in 1979 for THE DEER HUNTER. And even though her roles in films like THE FRENCH LIEUTENANT’S WOMAN (1981) and POSTCARDS FROM THE EDGE (1990) have won her much deserved critical acclaim, she’s only managed to snag two of the golden statues, the first in 1980 for her role opposite Dustin Hoffman in KRAMER VS. KRAMER, which also won in all the big categories that year (Best Actor, Director, Screenplay and Picture), and a second time in 1983 for SOPHIE’S CHOICE.

Streep continues her 17-year nomination streak at next month’s Academy Awards, and in celebration Sundance Channel is showing 3 of her perhaps not lesser-known but recent under-awarded roles all in one night.

Spike Jonze’s short film I’M HERE

In his feature films, Spike Jonze has successfully melded his singular sensibility with other equally distinctive voices (Charlie Kaufman in BEING JOHN MALKOVICH and ADAPTATION, Maurice Sendak and Dave Eggers in WHERE THE WILD THINGS ARE). But for a taste of pure, unadulterated Jonze — to really appreciate the deadpan high concepts, the absurdist melancholy, the skewed sense of enchantment — turn to his music videos and short films.

Written and directed by Jonze (and financed by Absolut Vodka), the half-hour I’M HERE, the high point of a strong opening shorts program, follows in the venerable tradition of sci-fi stories about robots who discover the contradictions of the human heart. Sheldon (Andrew Garfield) is a sad-eyed android librarian in an unfriendly Los Angeles where the robots lead an underclass existence and seem fated for a lonely obsolescence. (He and his fragile fellow bots certainly look like last century’s models: boxy heads, Lego-like appendages, protruding wires.)

Spike Jonze: The First 80 Years

Spike Jonze planned his upcoming release of WHERE THE WILD THINGS ARE very well. He seems to be all around us. For starters, the latest issue of Wholphin includes three short Maurice Sendak-based pieces he directed. They’re very DIY (as in not very good) but they’re cute and kooky and serve a purpose, namely, to get us all amped up for the real, long-awaited, much-anticipated thing itself, in theaters Friday.