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The Divine 80s

November 18th, 2009 by Bradford Shellhammer

The venerable NYC nightclub 1984 has been celebrating the 80s long before they became chic again. And it still offers a remarkable treat to those of us who spent our formative years in day-glo listening to Duran Duran. Resident DJ Chip Duckett, who also happens to be NYC’s biggest drag queen booker, curates a video show each week worthy of price of admission alone.

Last week he played 6 plus hours of all Kate Bush’s videos. Yes, Kate Bush is an acquired taste. And this week’s videos are even more so: Divine.


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I wrote an essay a few weeks back about Lady GaGa’s taking over from Madonna and becoming the numero uno gay pop icon. And any gay with a Facebook account can attest to this with a simple look at their status update bar from this week. The gays are going gaga over Bad Romance, the new video from Ms. G. Every homosexual I know, and I know a lot, are freaking out.

The video is epic. Costumes, pyrotechnics, McQueen shoes, and murder all combine with some fierce choreography (nods to MJ) and a dress train made from a white bear pelt.  A dress made from a bear! Watch and learn ladies. Watch and learn.



It is no secret that I adore Swedish electro-pop. I have since I first discovered ABBA. Then Roxette. Neneh Cherry. Robyn. And of course Röyksopp. Last month I posted a link to a free download for “This Must Be It,” their new single featuring the vocals of Karin Dreijer Andersson.

The video for that song just came out, and in similar Röyksopp fashion, it is, how should I say this? Freakish? Baffling? Scary? Hypnotic? Yes to all of the above.

Mad Max meets Swedish disco. Brilliant stuff. I don’t quite get it, but like most good art, maybe you’re not supposed to.



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On October 29, the Solomon R. Guggenheim Museum inaugurates its first ever Annual Art Awards, which will be presented by artist Rob Pruitt.

The Art Awards celebrates select individuals, exhibitions, and projects that have made a significant impact on the field of contemporary art during the past year. Pruitt, whose conceptual practice is rooted in a pop sensibility and a playful critique of art world structures, has conceived the event as a performance-based artwork which follows the format of a Hollywood awards ceremony.

A complete list of categories and nominees can be viewed here. I particularly like the cheeky award trophy that will be handed out to winners.

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obamahate

Yesterday I wrote about some of the absurd signs appearing at anti-Obama gatherings across the country. This week’s New York Magazine takes a more in-depth look at some of the movements, from Tea Parties to birthers, that are collectively forming a movement that is becoming more than just fringe.

The writer, Philip Weiss, described the signs at a recent Scranton rally as “frightening. Obama with a Hitler mustache. Obama morphed to Heath Ledger’s Joker. Obama, Parasite in Chief. Obama the Muslim, Obama the Marxist. Even Obama the Antichrist: Jesus is the Messiah, not Obama.”

And while these images are frightening they’re not nearly as scary as some of the quotes attributed to protestors in the article. Ignorantly one of them claimed “I do not want a president that bows to the king of Saudi Arabia.” Obama may need to start addressing these nuts, even if conventional wisdom is to stay above the fray. By remaining silent Obama could be fueling the fire. And I don’t want a president that bows to Glenn Beck.



iphonephotos0709

The St. Petersburg Times sent photographer Melissa Lyttle on an assignment to capture the “kitschy culture and places along the gulf beaches of Pinellas” using just her iPhone’s built-in camera for a very pleasing result. And as the paper’s editors pointed out, the New York Times recently published on their website a gallery of cell phone photographs submitted by readers. For more terrific iPhone photography check out the rather brilliant snapshots at Chase Jarvis, Fiona Conrad’s gallery documenting her life in New York City, and Lisa Wiseman’s photographs with what she calls “the new polaroid.”



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Known for his offbeat humor, absurdist lyrics and stream-of-consciousness riffs, singer-songwriter Robyn Hitchcock returns to Sundance Channel in this original concert film shot in New York in late 2008. Here the cult favorite — dressed in a polka-dotted shirt and matching guitar — is joined by Terry Edwards on keyboards, horns, bass and piano and Captain Tim Keegan on guitar to perform songs from his 1984 album I OFTEN DREAM OF TRAINS, including “Cathedral” and “I Used to Say I Love You.” John Edginton directs.

Read more about Robyn Hitchcock…


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In this gorgeous ad for the watch company Citizen, buildings implode and explode, lights dance in complex arrays, and shadows engulf entire parks. The ad was created by the Japanese agency WOW for a watch- and jewelry-industry trade show called Baselworld.



Cute minimalist animated short film, “A Quoi ca Sert L’amour” (To what end is love?) from the ever talented Louis Clichy about a boy who meets girl, boy then loses girl, boy gets girl back, boy then loses girl again, but girl finds boy and finally boy gets girl. Note the visual double entendre in the merry-go-round scene. I also enjoyed the accompanying frolicking Edith Piaf tune.



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Against the background of UNKLE’s emotive song “Heaven,” directors Spike Jonze and Ty Evans film the Lakai skateboarding team navigating an explosive terrain. The video starts a little slow, but “explodes” around the 1:58 mark. If that didn’t sell you then, let me try this: three words, skateboarding, explosions, and slo-mo. ‘Nuff said.

[Via]



I was Too Early on Solar Power; Let’s Not Be Too Late

In his State of the Union address, President Obama noted that although America invented solar energy technology, we have fallen behind countries like Germany and Japan in producing it. He is right of course.

I remember when America was leading the pack on clean energy in the 1970s. We abdicated that leadership thanks to the influence of a fossil fuel industry with deep pockets and friends in the White House. But Obama reminded us of an important aspect of the American character: ingenuity. We are a nation of innovators, and we can harness that resourcefulness again to build a better future.

I saw that ingenuity emerge three decades ago, when the promise of renewable energy became clear to many of us. We were so eager to spread the word about solar power that we created “Sun Day,” the solar equivalent of Earth Day. We had events from Maine to Chicago to the Lincoln Memorial in Washington DC. The Mormon Tabernacle Choir even agreed to participate in one event.

People were just starting to get excited about pollution-free power, but then Ronald Reagan became president and took the solar panels off the White House and the policies promoting renewable energy were stripped from the books.

In 1975 I produced a short film called “The Solar Film.” The people interviewed in the film say they like how solar power cuts down on their bills, doesn’t have to be imported, and makes them worry less about terrorists. All of those benefits remain extremely relevant today, but we have lost three decades in the effort to extend them to more Americans.

I was too early in my efforts to promote solar power, but now is the time. We are getting a second chance–another American trait. If we don’t seize this moment, we will be too late to get the competitive advantage in a global marketplace, too late for the economic dividends, and too late to stave off the worst of global warming.

The Obama administration wants to see America double our supply of renewable energy in the next three years. Many lawmakers want to pass a national renewable portfolio standard, which would require a certain percentage of our country’s electricity generation to come from clean sources like solar and wind. Congress will likely vote this year on a bill to limit global warming pollution that will dramatically expand the market for clean power. These are the kind of bold, visionary actions we need right now. I urge you to call on your representatives to support them.

In this time of economic crisis and uncertainty, I am reminded of being a child during World War II. I have no nostalgia for the turmoil and suffering of those days, but I do recall the communal effort, the sense that we all rallied around to support the greater good. Today we are trying to achieve the greater good of shared prosperity, and I believe it will be built on a clean and affordable energy economy. With enough resourcefulness, I know we can do it this time around.