Isn’t it great when a film surpasses your expectations, and in fact makes you think more about the world, and about filmmaking itself? I went to see the new documentary THE MOST DANGEROUS MAN IN AMERICA: DANIEL ELLSBERG AND THE PENTAGON PAPERS (Judith Ehrlich and Rick Goldsmith) and it’s a full blown, knock out blockbuster. Documentary so often suffers from the bastard stepchild image, the geeked out brainiac who won’t shut up about human suffering. Yes, yes, we need those films too – but when I walk out of a doc saying, “WOW! That was a political thriller right up there with ALL THE PRESIDENT’S MEN,” well, then I’m glad to see the bastard child growing up into a big bad contender – just as engaging, just as nail-biting, just as tear-inducing, as something that tens of millions of dollars made.
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