This is a weekly column written by Annie Howell and Lisa Robinson, two filmmakers and film professors who are wondering where modern storytelling is heading.
What’s the shortest film you’ve seen that’s been satisfying as a story?
In turn, what’s the longest screen story experience you’ve ever sustained?
I’m flashing back to my long long movie-going experiences … a five hour documentary on Cassavetes, A CONSTANT FORGE—THE LIFE AND ART OF JOHN CASSAVETES, dir. Charles Kiselyak, at SXSW in 2001. (After the movie, my husband Michael and I bonded with the five other people in the theatre, including Blaine Thurier of The New Pornographers, a Cassavetes fan and the winner of that year’s Best Narrative Feature for his film, LOW SELF-ESTEEM GIRL.)
The work of Hungarian director Béla Tarr. (Okay, that wasn’t me that endured the 7.5 hour SATAN’S TANGO, it was Michael again, and he stayed for the whole thing at Brooklyn Academy of Music — even after Gus Van Sant left.)