INCENDIES

Valuing the unexpected in cinema

Article: Valuing the unexpected in cinema

Yesterday, a brand new crop of Filmmaking MFA students appeared before me at Ohio University, as suddenly as Fall weather. It’s that time – August is gone, baby, and us teachers are back in the classroom. One exercise conducted yesterday involved each person articulating what he or she values in the cinema – not a specific type of character or scene, but a methodology, strategy or approach that can be identified from film to film. I noted a pattern: many valued the experience of feeling surprised – when the storyteller crafted moments that veered from a familiar course with either plot or character (INCENDIES, above, does just this). Our collective expectations have been molded through years of watching films, so an innovation of form, complexity of plot or sophistication of character truly do deserve value. I thought back to my own summer movie-going experiences and measured how a few stacked up. Watch out, hold up – the teacher is giving out grades:

Denis Villeneuve's INCENDIES

Article: Denis Villeneuve's INCENDIES

Like two other films I posted on in the past year, Jacques Audiard’s A PROPHET and David Michôd’s ANIMAL KINGDOM, Denis Villeneuvie’s INCENDIES is a film of epic proportions. The story follows a young French Canadian woman (Mélissa Désormeaux-Poulin) and her twin brother (Maxim Gaudette) as they investigate the past of their now-deceased Lebanese mother (Lubna Azabal), who turns out to have lived a life far more dramatic — and traumatic — than her children ever imagined.