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DJANGO UNCHAINED

Is Leonardo DiCaprio difficult to work with?

Article: Is Leonardo DiCaprio difficult to work with?

Posted November 01st, 2012, 9:11 AM by

Why don’t most directors want to work with Leonardo DiCaprio more than once?

You can count on two fingers the number of times DiCaprio has collaborated with a filmmaker on multiple films: Martin Scorsese (on numerous projects) and Baz Luhrmann. On the flip side, you’d need an abacus to tally the number of high-profile directors who hired DiCaprio once and never went back for seconds. James Cameron (TITANIC), Woody Allen (CELEBRITY), Steven Spielberg (CATCH ME IF YOU CAN), and Danny Boyle (THE BEACH) are just a few names that come to mind. Boyle’s one-off feature with DiCaprio premieres Saturday, November 3, on Sundance Channel, and was the film that got us contemplating this topic.

Film intelligence: The end is nigh

Article: Film intelligence: The end is nigh

Posted May 10th, 2012, 10:05 AM by

Every week there are dozens of film news stories. Every week, we read them all and bring you the five most important ones in the single most important blog post you’ll ever read (today [at this moment]). This week: the world ends, the road to Cannes begins, and the Avengers get slapped with a hulking clean-up bill.

Film intelligence: UNCHAINED and (allegedly) anti-semitic

Article: Film intelligence: UNCHAINED and (allegedly) anti-semitic

Posted April 12th, 2012, 9:04 AM by

Every week there are dozens of film news stories. Every week, we read them all and bring you the five most important ones in the single most important blog post you’ll ever read (today [at this moment]). This week: Mel Gibson and Joe Eszterhas get uncensored, Gary Ross gets untethered, and Django gets UNCHAINED.

Joseph Gordon-Levitt opens up about hitRECord and DARK KNIGHT RISES’ Occupy Wall Street vibe

Article: Joseph Gordon-Levitt opens up about hitRECord and DARK KNIGHT RISES’ Occupy Wall Street vibe

Posted January 28th, 2012, 1:01 AM by

It’s more than an hour ‘til show time and the ticketholder tent outside the 1,270-seat Eccles Theatre, the Grand Théâtre Lumière of Sundance, is bursting at the seams for Joseph Gordon-Levitt’s hitRECord: A Night at the Movies. Thus, the less punctual attendees are forced to brave the heavy snow and form a long line wrapping around the theatre. Judging by the high volume of beanies, as well as girls dragging their boyfriends around like disgruntled parents, the crowd is skewing very young—save a handful of older men who look like Julian Schnabel.

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